| Robert Jacobson prize, Kunsthalle Würth, Künzelsau, Germany |
| Objects of Wonder - from Pedestal to Interaction, ARoS, Aarhus, Denmark |
| Play Well, Wellcome Collection, London |
| Never the Same River, Anna Schwartz Gallery, Melbourne, Australia |
| Estuary, Fingal County Council Municipal Art Collection 25th Anniversary, Blanchardstown, Dublin |
| The Sensation of Space, The Warehouse, Dallas, USA |
| 303 Gallery: 35 Years, New York, USA |
| 60 Years, curated by Sofia Karamani, Tate Britain, London |
| Less is More, Museum Voorlinden, Wassenaar, Netherlands |
| Liquid Crystal Display, curated by Laura Sillars with Angelica Sule, Site Gallery, Sheffield: travelling to: MIMA – Middlesbrough Institute of Modern Art, Middlesbrough (2019) |
| The Most Real Thing: Contemporary Textiles and Sculpture, New Art Centre, Salisbury, Wiltshire |
| The Anthropologist in Me, curated by Duarte Sequeira and Guilherme Braga da Cruz, Forum Arte Braga, Braga, Portugal |
| Shadowed Forms, curated by Kevin Francis Gray, Andersen’s Contemporary, Copenhagen, Denmark |
| Nacré Fraternité, FLAT:TWO, Digbyland Studios, London |
| The Oslo Museum of Contemporary Art, Kunsthall Oslo, Oslo |
| City Room (with Gary Webb), Galeria Mário Sequeira, Parada de Tibães, Portugal |
| An Eyeful of Wry, Brynmor Jones Library gallery, University of Hull, Hull |
| 31 Women, Breeselittle, London |
| Against Landscape, Reid Gallery, Glasgow School of Art, Scotland |
| Sculpture Garden, Walker Art Centre, Minneapolis, USA |
| The Playground Project, VISUAL Centre for Contemporary Art, Ireland |
| FK:K, FRANZ KAfkA, Kunstraum Kesselhaus, Bamberg |
| All Hawaii Entrées / Lunar Reggae, , Irish Museum of Modern Art, Dublin, Ireland |
| How to Build a Universe That Doesn, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA |
| This is Not For You, Diskurse der Skulptur, T – B A21, Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
| Defining the Contemporary, Whitechapel Art Gallery, London |
| British Art Show 6, Spike Island, Bristol |
| 60. Sixty Years of Sculpture in the Arts Council Collection, Yorkshire Sculpture Park, Wakefield |
| How to Improve the World: 60 Years of British Art, Arts Council Collection, Hayward Gallery, London |
| The Tate Triennial, Tate Britain, London |
| If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London |
| Strange Powers, curated by Laura Hoptman and Peter Eleey, Creative Time, New York, NY, USA |
| The British Art Show 6, Baltic Centre for Contemporary Art, Gateshead; Castlefied Art Gallery, Manchester; Nottingham Castle, Nottingham; Arnolfini, Bristol |
| Plunder – Culture as material, Dundeed Contemporary Arts, Dundee, Scotland |
| Splendor Geometrik, Galerie Gisela Captain. Cologne, Germany |
| The Walls Have Eyes, Stuart Shave/Modern Art, London |
| Primary Colours, The City Gallery, Leicester |
| OBJECTS IN MIRROR ARE CLOSER THAN THEY APPEAR, Badischer Kunstverein, Karlsruhe, Germany |
| This Was Tomorrow, New Art Centre Sculpture Park & Gallery, Salisbury |
| 3D Frederich Petzel Gallery, New York, NY, USA |
| Permaculture, Gallery Christima Wilson, Copenhagen, Denmark |
| Breathing the Water, Galerie Hauser & Wirth and Presenhuber, Zurich, Switzerland |
| Playschool, Galleri Christina Wilson, Copenhagen, Denmark |
| Smart Project Space, Amsterdam, Netherlands |
| Prodigal Prodigy, White Box, New York, NY, USA |
| Tattoo Show, Stuart Shave/Modern Art, London |
| Brown, The Approach, London |
| Tailsliding, British Council (Touring) |
| All That Is Solid…, London Print Studio, London |
| Troubleshooting, Arnolfini Gallery, Bristol |
| Kalam to Computer‚ Crafts Museum, New Delhi, India |
| Swenglish, IASPIS, London |
| Silhouettes and Cut-outs, Lenbachhaus, Munich, Germany |
| The seat with the clearest view..., Grey Matter, Sydney, NSW, Australia |
| Circles ° 4, ZKM, Karlsruhe, Germany |
| Schattenrisse, Stadtische Galerie im Lenbachhaus & Kunstbau, Munich, Germany |
| Perfidy, Kettles Yard, Cambridge / Convent of La Tourette, Eveux, France |
| Zig-Zag, Thomas Cohn Gallery, Sao Paulo, Brazil |
| Hard Candy, Galerie Wieland, Berlin, Germany |
| Pavilion, Mark Mueller Gallery, Zurich, Switzerland |
| Tonight, The Modern Institute, Glasgow |
| Comes the Spirit, Jerwood Space, London |
| Proper, Centre for Contemporary Art, Vilnius, Lithuania |
| Dream Machines, National Touring Exhibitions (UK) |
| Cluster Bomb, Morrisson / Judd, London |
| Crystal State, 3 Month Gallery / Artranspennine, Liverpool |
| Seeing Hozomeen, Collective Gallery, Edinburgh |
| How to build a Universe, Fly Gallery, Glasgow |
| Excellent Dynamite, Pallas Studios, Dublin, Ireland |
| Bed and Workshop, Square Doyen, Milou Rennes, France |
| Habitat, Centre for Contemporary Photography, Fitzroy, VIC, Australia |
| Superstore, Norwich gallery & The Tannery, London |
| Tutor with an Idea, 3 Month Gallery, Liverpool |
| Let’s Rock, Alexandra Mansions, Norwich |
| European Couples, Transmisson Gallery, Glasgow |
| If it wasn’t for the mist…, Grays School of Art, Aberdeen |
| Performance Festival, Galleri Tommy Lund, Odense, Denmark |
| Dialogue, W139, Amsterdam, Netherlands |
| World of Ponce, South Park, Glasgow |
| Singled Out, Catalyst Arts, Belfast |
| City Limits, Staffordshire University, Stoke on Trent |
| Into the Void, Ikon Gallery, Birmingham |
| Deep Signal, Gasworks, London |
| Sick Building, Globescope, Copenhagen, Denmark |
| Art for People, Transmission Gallery, London |
| EV + A, Limerick, Ireland |
| Double Rainbow, Central Bank of Ireland, Dublin (forthcoming) |
| The King's Cross Project, Cubitt Park, London (forthcoming) |
| 13th Robert Jacobsen Prize, 2019 |
| Jack Goldhill Award, Royal Academy, London, 2017 |
| Oslo Gardemoen Airport, Oslo, Norway, 2016 |
| The Whitechapel Gallery Children’s Commission, Whitechapel Gallery, London, 2012 |
| Public Art Fund, Central Park, New York , 2011 |
| Tate Britain Annual Duveens’ Commission, Tate Britain, London, 2009 |
| Delfina Trust, London, studio residency, 2000-2002 |
| Camden Arts Centre, London, Artist in residence, 2000 |
| PADT / BAA Heathrow Arts Programme, Belfast Lounge commission, 1997 |
| Independent Public Arts / Stirling Council, ‘National Flags’ project, 1997 |
| Scottish Arts Council, Amsterdam, Studio residency, 1996 |
| 2018 |
Liquid Crystal Display, Site Gallery, Sheffield |
| 2015 |
Then For Now, exhibition catalogue, published by Delfina Foundation, London |
| 2014 |
Art as a Verb, Monash University Museum of Modern Art, Monash University Press |
|
We are living on a star, Henie Onstad Kunstsenter, Oslo, HOK |
|
You Imagine What You Desire, 19th Biennale of Sydney, Australia |
| 2013 |
Changing States, Irish Museum of Modern Art, Dublin City Art Gallery the Hugh Lane |
| 2011 |
Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Rhode Island School of Design, Providence |
|
Making is Thinking, Witte de With, Rotterdam (Digital Publication) |
|
Breitseite - Im Fokus: Raum, exhibition catalogue, published by Villa Merkel, Esslingen am Neckar, Germany |
| 2009 |
Ruf, Beatrix. Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon Press, London |
|
The Dark Monarch, Tate Publishing, St Ives |
| 2007 |
Echo Room - Art from Great Britain, The British Council, London |
|
Unmonumental: Falling to Pieces in the 21st Century, New Museum and Phaidon |
| 2006 |
All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art, Dublin |
|
Tate Triennial, exhibition catalogue, Tate Publishing, London |
| 2005 |
British Art Show 6, Hayward Publishing, London |
|
Art at 30 St Mary Axe, London, Swiss Reinsurance Company, London |
| 2004 |
54th Carnegie International, Carnegie Museum of Art, Pittsburgh |
|
Atomkrieg, Kunsthaus Dresden, Germany and Lukas & Sternberg, USA |
| 2003 |
Eva Rothschild, in Sculpture in 20th-century Britain, Volume II, Henry Moore Institute, Leeds |
|
OBJECTS IN MIRROR ARE CLOSER THAN THEY APPEAR: Remy Jungerman, Jim Lambie, Eva Rothschild, Badischer Kunstverein, Germany |
| 2002 |
Early One Morning, Whitechapel Gallery, London |
|
My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen |
|
Room for Improvement, Crafts Museum, India and Liverpool School of Art and Design, Liverpool |
| 2001 |
Prodigal Prodigy, White Box, New York |
|
Tailsliding, British Council, London |
|
Vito Acconci/ Troubleshooting, Arnolfini, Bristol |
| 2000 |
Dream Machines, Hayward Publishing, London |
|
LUFTFARER, Riksustsillinger, Oslo |
| 1999 |
Utopias, Douglas Hyde Gallery, Dublin |
|
British Art Show 6, exhibition catalogue, Published by Hayward Gallery, London |
| 1998 |
1-3, Titanik, Turku (Eva Rothschild, Minna Haukka discussion) |
| 1997 |
W010, W139, Amsterdam |
| Aïshti Foundation, Antelias, Lebanon |
| Arts Council Collection, London |
| Berezdivin Collection, Santurce, Puerto Rico |
| British Council, London |
| Carnegie Museum of Art, Pittsburgh, PA, USA |
| Cass Sculpture Foundation, Goodwood |
| Cloud Art Space, Seoul, South Korea |
| Dallas Museum of Art, Dallas, TX, USA |
| Dublin City Gallery, The Hugh Lane, Dublin, Ireland |
| The Goss-Michael Foundation, Dallas, TX, USA |
| The Hepworth Wakefield, Wakefield |
| Irish Museum of Modern Art, Dublin, Ireland |
