Robert Jacobson prize, Kunsthalle Würth, Künzelsau, Germany |
Objects of Wonder - from Pedestal to Interaction, ARoS, Aarhus, Denmark |
Play Well, Wellcome Collection, London |
Never the Same River, Anna Schwartz Gallery, Melbourne, Australia |
Estuary, Fingal County Council Municipal Art Collection 25th Anniversary, Blanchardstown, Dublin |
The Sensation of Space, The Warehouse, Dallas, USA |
303 Gallery: 35 Years, New York, USA |
60 Years, curated by Sofia Karamani, Tate Britain, London |
Less is More, Museum Voorlinden, Wassenaar, Netherlands |
Liquid Crystal Display, curated by Laura Sillars with Angelica Sule, Site Gallery, Sheffield: travelling to: MIMA – Middlesbrough Institute of Modern Art, Middlesbrough (2019) |
The Most Real Thing: Contemporary Textiles and Sculpture, New Art Centre, Salisbury, Wiltshire |
The Anthropologist in Me, curated by Duarte Sequeira and Guilherme Braga da Cruz, Forum Arte Braga, Braga, Portugal |
Shadowed Forms, curated by Kevin Francis Gray, Andersen’s Contemporary, Copenhagen, Denmark |
Nacré Fraternité, FLAT:TWO, Digbyland Studios, London |
The Oslo Museum of Contemporary Art, Kunsthall Oslo, Oslo |
City Room (with Gary Webb), Galeria Mário Sequeira, Parada de Tibães, Portugal |
An Eyeful of Wry, Brynmor Jones Library gallery, University of Hull, Hull |
31 Women, Breeselittle, London |
Against Landscape, Reid Gallery, Glasgow School of Art, Scotland |
Sculpture Garden, Walker Art Centre, Minneapolis, USA |
The Playground Project, VISUAL Centre for Contemporary Art, Ireland |
FK:K, FRANZ KAfkA, Kunstraum Kesselhaus, Bamberg |
All Hawaii Entrées / Lunar Reggae, , Irish Museum of Modern Art, Dublin, Ireland |
How to Build a Universe That Doesn, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA |
This is Not For You, Diskurse der Skulptur, T – B A21, Thyssen-Bornemisza Art Contemporary, Vienna, Austria |
Defining the Contemporary, Whitechapel Art Gallery, London |
British Art Show 6, Spike Island, Bristol |
60. Sixty Years of Sculpture in the Arts Council Collection, Yorkshire Sculpture Park, Wakefield |
How to Improve the World: 60 Years of British Art, Arts Council Collection, Hayward Gallery, London |
The Tate Triennial, Tate Britain, London |
If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London |
Strange Powers, curated by Laura Hoptman and Peter Eleey, Creative Time, New York, NY, USA |
The British Art Show 6, Baltic Centre for Contemporary Art, Gateshead; Castlefied Art Gallery, Manchester; Nottingham Castle, Nottingham; Arnolfini, Bristol |
Plunder – Culture as material, Dundeed Contemporary Arts, Dundee, Scotland |
Splendor Geometrik, Galerie Gisela Captain. Cologne, Germany |
The Walls Have Eyes, Stuart Shave/Modern Art, London |
Primary Colours, The City Gallery, Leicester |
OBJECTS IN MIRROR ARE CLOSER THAN THEY APPEAR, Badischer Kunstverein, Karlsruhe, Germany |
This Was Tomorrow, New Art Centre Sculpture Park & Gallery, Salisbury |
3D Frederich Petzel Gallery, New York, NY, USA |
Permaculture, Gallery Christima Wilson, Copenhagen, Denmark |
Breathing the Water, Galerie Hauser & Wirth and Presenhuber, Zurich, Switzerland |
Playschool, Galleri Christina Wilson, Copenhagen, Denmark |
Smart Project Space, Amsterdam, Netherlands |
Prodigal Prodigy, White Box, New York, NY, USA |
Tattoo Show, Stuart Shave/Modern Art, London |
Brown, The Approach, London |
Tailsliding, British Council (Touring) |
All That Is Solid…, London Print Studio, London |
Troubleshooting, Arnolfini Gallery, Bristol |
Kalam to Computer‚ Crafts Museum, New Delhi, India |
Swenglish, IASPIS, London |
Silhouettes and Cut-outs, Lenbachhaus, Munich, Germany |
The seat with the clearest view..., Grey Matter, Sydney, NSW, Australia |
Circles ° 4, ZKM, Karlsruhe, Germany |
Schattenrisse, Stadtische Galerie im Lenbachhaus & Kunstbau, Munich, Germany |
Perfidy, Kettles Yard, Cambridge / Convent of La Tourette, Eveux, France |
Zig-Zag, Thomas Cohn Gallery, Sao Paulo, Brazil |
Hard Candy, Galerie Wieland, Berlin, Germany |
Pavilion, Mark Mueller Gallery, Zurich, Switzerland |
Tonight, The Modern Institute, Glasgow |
Comes the Spirit, Jerwood Space, London |
Proper, Centre for Contemporary Art, Vilnius, Lithuania |
Dream Machines, National Touring Exhibitions (UK) |
Cluster Bomb, Morrisson / Judd, London |
Crystal State, 3 Month Gallery / Artranspennine, Liverpool |
Seeing Hozomeen, Collective Gallery, Edinburgh |
How to build a Universe, Fly Gallery, Glasgow |
Excellent Dynamite, Pallas Studios, Dublin, Ireland |
Bed and Workshop, Square Doyen, Milou Rennes, France |
Habitat, Centre for Contemporary Photography, Fitzroy, VIC, Australia |
Superstore, Norwich gallery & The Tannery, London |
Tutor with an Idea, 3 Month Gallery, Liverpool |
Let’s Rock, Alexandra Mansions, Norwich |
European Couples, Transmisson Gallery, Glasgow |
If it wasn’t for the mist…, Grays School of Art, Aberdeen |
Performance Festival, Galleri Tommy Lund, Odense, Denmark |
Dialogue, W139, Amsterdam, Netherlands |
World of Ponce, South Park, Glasgow |
Singled Out, Catalyst Arts, Belfast |
City Limits, Staffordshire University, Stoke on Trent |
Into the Void, Ikon Gallery, Birmingham |
Deep Signal, Gasworks, London |
Sick Building, Globescope, Copenhagen, Denmark |
Art for People, Transmission Gallery, London |
EV + A, Limerick, Ireland |
Sadler’s Wells East Bank, Stratford, London (forthcoming) |
Becontree Pyramids, Parsloes Park, Dagenham, 2021 (forthcoming) |
Double Rainbow, Central Bank of Ireland, Dublin, 2020 |
The King's Cross Project, Cubitt Park, London, 2020 |
13th Robert Jacobsen Prize, 2019 |
Jack Goldhill Award, Royal Academy, London, 2017 |
Oslo Gardemoen Airport, Oslo, Norway, 2016 |
The Whitechapel Gallery Children’s Commission, Whitechapel Gallery, London, 2012 |
Public Art Fund, Central Park, New York , 2011 |
Tate Britain Annual Duveens’ Commission, Tate Britain, London, 2009 |
Delfina Trust, London, studio residency, 2000-2002 |
Camden Arts Centre, London, Artist in residence, 2000 |
PADT / BAA Heathrow Arts Programme, Belfast Lounge commission, 1997 |
Independent Public Arts / Stirling Council, ‘National Flags’ project, 1997 |
Scottish Arts Council, Amsterdam, Studio residency, 1996 |
2018 |
Liquid Crystal Display, Site Gallery, Sheffield |
2015 |
Then For Now, exhibition catalogue, published by Delfina Foundation, London |
2014 |
Art as a Verb, Monash University Museum of Modern Art, Monash University Press |
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We are living on a star, Henie Onstad Kunstsenter, Oslo, HOK |
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You Imagine What You Desire, 19th Biennale of Sydney, Australia |
2013 |
Changing States, Irish Museum of Modern Art, Dublin City Art Gallery the Hugh Lane |
2011 |
Made in the UK: Contemporary Art from the Richard Brown Baker Collection, Rhode Island School of Design, Providence |
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Making is Thinking, Witte de With, Rotterdam (Digital Publication) |
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Breitseite - Im Fokus: Raum, exhibition catalogue, published by Villa Merkel, Esslingen am Neckar, Germany |
2009 |
Ruf, Beatrix. Vitamin 3-D: New Perspectives in Sculpture and Installation, Phaidon Press, London |
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The Dark Monarch, Tate Publishing, St Ives |
2007 |
Echo Room - Art from Great Britain, The British Council, London |
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Unmonumental: Falling to Pieces in the 21st Century, New Museum and Phaidon |
2006 |
All Hawaii Entrées/ Lunar Reggae, Irish Museum of Modern Art, Dublin |
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Tate Triennial, exhibition catalogue, Tate Publishing, London |
2005 |
British Art Show 6, Hayward Publishing, London |
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Art at 30 St Mary Axe, London, Swiss Reinsurance Company, London |
2004 |
54th Carnegie International, Carnegie Museum of Art, Pittsburgh |
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Atomkrieg, Kunsthaus Dresden, Germany and Lukas & Sternberg, USA |
2003 |
Eva Rothschild, in Sculpture in 20th-century Britain, Volume II, Henry Moore Institute, Leeds |
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OBJECTS IN MIRROR ARE CLOSER THAN THEY APPEAR: Remy Jungerman, Jim Lambie, Eva Rothschild, Badischer Kunstverein, Germany |
2002 |
Early One Morning, Whitechapel Gallery, London |
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My Head is on Fire but my Heart is Full of Love, Charlottenborg Exhibition Hall, Copenhagen |
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Room for Improvement, Crafts Museum, India and Liverpool School of Art and Design, Liverpool |
2001 |
Prodigal Prodigy, White Box, New York |
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Tailsliding, British Council, London |
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Vito Acconci/ Troubleshooting, Arnolfini, Bristol |
2000 |
Dream Machines, Hayward Publishing, London |
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LUFTFARER, Riksustsillinger, Oslo |
1999 |
Utopias, Douglas Hyde Gallery, Dublin |
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British Art Show 6, exhibition catalogue, Published by Hayward Gallery, London |
1998 |
1-3, Titanik, Turku (Eva Rothschild, Minna Haukka discussion) |
1997 |
W010, W139, Amsterdam |